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Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloë Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAvedon 100\u003c\/span\u003e\u003cspan\u003e celebrates Avedon’s enduring influence on photography and makes clear his profound impression on visual culture worldwide. The book represents various periods from his oeuvre, including the widely known \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eIn the American West\u003c\/span\u003e\u003cspan\u003e series, images of the social justice movement, classic portraiture, advertising, and fashion work. The photographs reproduced reveal the enormous and fascinating diversity of Avedon’s subjects, while the commentary offered by the celebrated selectors underscores the breadth and longevity of his legacy.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376432287883,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/avedon.webp?v=1719946190"},{"product_id":"andy-warhol-polaroids-1958-1987-taschen","title":"Andy Warhol Polaroids 1958-1987 Taschen","description":"","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376463745163,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/andy.webp?v=1719945649"},{"product_id":"dali-les-diners-de-gala-taschen","title":"Dali Les Diners de Gala Taschen","description":"","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376471183499,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/lesdiners.jpg?v=1719947358"},{"product_id":"phenomenal-california-light-space-surface-by-robin-clark","title":"Phenomenal: California, Light, Space, Surface by Robin Clark","description":"\u003cp\u003e\u003cspan\u003eDonald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate “real space,” by his definition. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eJudd\u003c\/span\u003e\u003cspan\u003e surveys the evolution of the artist’s work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life.\u003cbr\u003e\u003cbr\u003eThis richly illustrated catalog takes a close look at Judd’s achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eDonald Judd\u003c\/span\u003e\u003cspan\u003e (1928–94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376524136587,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/phenom.jpg?v=1720637271"},{"product_id":"michelangelos-inner-anatomies-by-christian-k-kleinbub","title":"Michelangelo's Inner Anatomies by Christian K. Kleinbub","description":"\u003cp\u003e\u003cspan\u003eThis book challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with “superficial” anatomy―that is, the parts of the body that can be seen from the outside. Christian K. Kleinbub provides a fresh perspective on Michelangelo’s art of the human figure by investigating what he calls the artist’s “inner anatomical poetics,” revealing these beautiful bodies as objects of profound intellectual and spiritual significance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eMichelangelo’s Inner Anatomies\u003c\/span\u003e\u003cspan\u003e illuminates how Renaissance discourses on anatomical organs and organ systems informed Michelangelo's figures, linking the interior experiences of his subjects to physiological processes associated with sex, love, devotion, and contemplation, among other thoughts and feelings. Kleinbub presents new and compelling interpretations of some of Michelangelo’s most significant works of painting, sculpture, poetry, and architecture. The book’s case studies cover the full range of Michelangelo’s prodigious output―including such iconic works as the Sistine Ceiling, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eDying Slave\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLast Judgment\u003c\/span\u003e\u003cspan\u003e―and reconstructs what Michelangelo knew of internal anatomy and how he projected that knowledge into his most important works. Drawing upon theological, poetic, philosophical, and scientific texts, Michelangelo created a context-dependent, adaptable practice that could be adjusted according to the needs of an individual situation or commission and manipulated to embody, literally and figuratively, a variety of meanings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeeply researched and convincingly argued, this study heralds a significant shift in thinking about the Italian Renaissance body as it pertains not only to the work of Michelangelo but also to the era as a whole.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376703836299,"sku":"","price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/inneranatomies.jpg?v=1720203820"},{"product_id":"surf-photography-of-the-1960s-and-1970s-by-leroy-granis","title":"Surf Photography of the 1960s and 1970s by LeRoy Granis","description":"","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376715468939,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/surfphoto.jpg?v=1720637550"},{"product_id":"surf-shack-laid-back-living-by-the-water-by-nina-freudenberger","title":"Surf Shack: Laid-Back Living by the Water by Nina Freudenberger","description":"","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376722055307,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/surfshack.jpg?v=1720637585"},{"product_id":"surf-craft-design-and-the-culture-of-board-riding-by-richard-kenvin","title":"Surf Craft: Design and the Culture of Board Riding by Richard Kenvin","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe evolution of the surfboard, from traditional Hawaiian folk designs to masterpieces of mathematical engineering to mass-produced fiberglass. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSurfboards were once made of wood and shaped by hand, objects of both cultural and recreational significance. Today most surfboards are mass-produced with fiberglass and a stew of petrochemicals, moving (or floating) billboards for athletes and their brands, emphasizing the commercial rather than the cultural. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSurf Craft\u003c\/span\u003e\u003cspan\u003e maps this evolution, examining surfboard design and craft with 150 color images and an insightful text. From the ancient Hawaiian \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ealaia\u003c\/span\u003e\u003cspan\u003e, the traditional board of the common people, to the unadorned boards designed with mathematical precision (but built by hand) by Bob Simmons, to the store-bought longboards popularized by the 1959 surf-exploitation movie \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eGidget\u003c\/span\u003e\u003cspan\u003e, board design reflects both aesthetics and history. The decline of traditional \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ealaia\u003c\/span\u003e\u003cspan\u003e board riding is not only an example of a lost art but also a metaphor for the disintegration of traditional culture after the Republic of Hawaii was overthrown and annexed in the 1890s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his text, Richard Kenvin looks at the craft and design of surfboards from a historical and cultural perspective. He views board design as an exemplary model of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003emingei\u003c\/span\u003e\u003cspan\u003e, or art of the people, and the craft philosophy of Soetsu Yanagi. Yanagi believed that a design's true beauty and purpose are revealed when it is put to its intended use. In its purest form, the craft of board building, along with the act of surfing itself, exemplifies mingei. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSurf Craft\u003c\/span\u003e\u003cspan\u003e pays particular attention to Bob Simmons's boards, which are striking examples of this kind of functional design, mirroring the work of postwar modern California designers.\u003c\/span\u003e\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":42376726970507,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/1703\/3611\/files\/surfcra.webp?v=1720637420"},{"product_id":"now-then-a-retrospective-by-ed-ruscha","title":"Now Then: A Retrospective by Ed Ruscha","description":"\u003cp\u003e\u003cspan\u003eSpanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEd Ruscha \/ Now Then\u003c\/span\u003e\u003cspan\u003e features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and his first solo exhibition at the Museum of Modern Art, New York, this richly illustrated catalog highlights Ruscha’s most acclaimed works alongside lesser-known aspects of his practice.\u003cbr\u003eEssays by an interdisciplinary group of contributors examine Ruscha’s work under a new light, beyond the categories of Pop and Conceptual art with which he has traditionally been associated, to present fresh perspectives on one of the most influential figures in postwar American art. Taken together, they underscore Ruscha’s singular contributions, including his material exploration of language, experiments with unconventional mediums―such as gunpowder, chocolate or chewing tobacco―and his groundbreaking self-published books. Supplemented by an illustrated chronology and exhibition history, this publication captures the ceaseless reinvention that has defined his prolific, six-decade career.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eEd Ruscha\u003c\/span\u003e\u003cspan\u003e (born 1937) was raised in Oklahoma City and moved to Los Angeles in 1956, where he attended the Chouinard Art Institute (now CalArts). First showing with the Ferus Gallery in the early 1960s, Ruscha was included in Walter Hopps' landmark Pop art show \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNew Painting of Common Objects\u003c\/span\u003e\u003cspan\u003e at the Pasadena Art Museum in 1962. He has since shown his work extensively, most recently in several medium-specific museum surveys, including the 2004 exhibition \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eCotton Puffs, Q-Tips®, Smoke and Mirrors: The Drawings of Ed Ruscha\u003c\/span\u003e\u003cspan\u003e at the Whitney Museum of American Art, New York, which traveled to the Museum of Contemporary Art, Los Angeles, and the National Gallery of Art, Washington, DC, and the 2009 exhibition \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEd Ruscha: Fifty Years of Painting\u003c\/span\u003e\u003cspan\u003e at the Hayward Gallery, London, which traveled to the Haus der Kunst, Munich, and Moderna Museet, Stockholm. In 2005, he represented the United States at the 51st Venice Biennale. 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